Blog Posts

Paper-Boat

Little by little, you extract my blood
Into countless vials that wildly flood
The air that I breathe, sights that my eyes read,
You make it hard while you leave me to bleed.
 
Moment by moment, you walk no closer,
But farther, and why? is one big poser.
For all I see, I’m not blind to omit
Sly that you are, you’re forever at it.
 
Draught after draught, leaves pile upon the earth,
Life is a war until death from the birth,
While I strive so my soul shall be free
You make this fight tougher than tough can be.
 
Drop by drop, do the lakes and the rivers swell,
So does my heart (wherein secured you dwell),
With tiny drops of manna you donate
To make my earthly existence ornate.
 
Night after night, memories sweep my sleep,
Bringing the touch of lips for me to keep
Caged right here, and captived there like you said,
In your closed fists, and my heart and my head.
 
Tugs and tiffs later, our love only grows,
Strong like the stream after the hurdles flows,
And rocks the paper-boat with you and me –
Know our boat will drift strong even at sea.

©Asiman Panda 2010

Back-Stab

Ah friendship! To what depths can you plummet,
In the advent of your sombre twilight?
Does that back oozing red not highlight
The stark imminence of your sorry death?
Time was when you fed your morsels of faith
To a parched palate lying stripped of taste;
But all now fills this drab expanse of waste
Is the portent of your lumbering wraith!
Yes, I, the wretched king of ‘ungratefuls’,
Have seen you writhing in my betrayal,
Despite your standing by gold-tinted rules,
All of which, now consigned to history,
Has, doubtless, enticed the friend disloyal
To stab your back to end your misery.

©Asiman Panda 2007

Seasons You Never Knew

The Sun rises rather early on my heart,
And the days of pining, are longer and hard;
So much sweat for so short a walk!
Empty rivers, but so much to ask,
Unbearable nights, writhing in the dark!
Heat waves and so much more,
         And you thought that was summer?
Well, that’s the season you never knew…
         That season is – You.

The Heavens are a picture of gloom,
They cloud my heart, in my ears boom;
Thunder there and the lightning’s here,
Mayhem there but the impact’s here,
Swelling rivers, breaking dams far and near!
Flash floods are here for good reason,
         But this isn’t the rainy season;
That’s the season you never knew…
         That season is – You.

Now they’re pushing me, to the inside,
To slip into my wools, to turn the tide,
Aching joints, frostbite in my heart!
Icy winds tearing the woods apart,
Chill in the muscles till the colds depart!
Snowstorms, blizzards and snowfall,
          But that’s no winter, after all,
That’s another season you never knew…
          That season is – You.

Then She decides to flaunt Her bounty,
And unleash it all throughout the county;
What’s in the heart… a song of eternal bliss!
What’s in the air… a kindred spirit’s kiss!
Green, yellow and red do seem not amiss-
A dance of the flowers,
          And Spring could be all ours;
Now that’s a season I wish I knew…
          That season is – You.

©Asiman Panda 2009

No More Shall I Extol You

How much more shall I extol you
To the Heavens, to all garments divine?
Long have I wondered it is few,
So I’ll praise till the sun shall shine.

I have not these labours done
So you shall jeer at me later on,
Still have I clothed you in jewels ethereal,
With supplies that are beyond my all.

How much more shall I drag my feet
When it causes not for me a single beat?
Must I fire my imagination for nothing?
Must I write, must I praise and sing?

Tell me what royalty I do seek
From you, for this offering unique?
Soaked I am in a drizzle of compassion,
Fie, fie on my endeavours of passion!

Long have I wondered what is new-
Exhausted as I am, no more shall I spew
And shall now to you, bid adieu,
No more, no more shall I extol you!

©Asiman Panda 2005

That Old Friend

A few months ago, I came across an old friend of mine, who had left three years before and had just come back to town for a short visit. His skin was sun-burnt and his hair had turned a greyer lot. He did not seem the same guy as from three years before. I have to admit it was he who first recognized me when I simply, just as an arrogant dog, was minding my own business.

“How are you friend?”, he asked.

“Oh, you are back then? How come you…Oh, come on, let’s talk.”, I answered back.

“Talk we can do later.”, he said, “But tell me how you are faring here.”

“I’m doing well!”, I said and stopped for a while before opening my mouth again, “Well, why are you so concerned now? Did you bother to ask when you were away?”

“If I had your address.”, he quipped back.

Well, then we parted promising to meet again the same night at the restaurant round the corner of the same street.

That night, I prepared for my best outing and before locking the door, did not forget to pick a pen which I had kept aside to present him three years ago before he left, and had failed to do so. The pen had developed rust over it, for I had left it discarded and had never used it until I was reminded of it that night. But even then, it was a gift. And I did not feel ashamed to gift the old friend a pen because we had always shared our things as school-going children and had always happily swapped old goods.

I was thankful to God that he had not forgotten me but I was still not aware of what that night was going to do to me.

I reached the restaurant well on time and found that he had still not arrived. Choosing a good table, I sat and made myself comfortable. That was when I heard my friend calling out to me.

I greeted him, and we sat down together. We chose from the menu and having ordered, I began the conversation.

“Where are you actually now?”

“I would not be able to answer that – it’s a secret base that I am working in.”

“Now, what’s that?”

“I said I can’t – I am needed not to reveal it.”

“You mean you work for a secret company and do secret business?”

“Yes, and let me tell you that I am on a secret mission here too.”

I leaned back startled, “What, you are a secret agent, work for a secret company, and are a on a secret mission?” I exclaimed, “That does not make sense to me!”

“Shut up and sit quiet,” he muttered, “You’re going to dox me!”

I sat upright. For the rest of the meal, we did not talk much.

At the end of it, I said, “Well, that’s why you never contacted me. You did not even inform me when you were leaving and before that, did not even tell me you were leaving town.”

“Well, yes.”, he answered sharply. And just as were getting up, I beckoned him to remain in his seat. I produced the pen from my pocket, and with a smile presented it to him.

“And this to celebrate our friendship which has till now lasted twelve years.”, I said, and handed it to him.

He looked contemptuously at it, took it in his hand and throwing it back to me, said, “Is this what you’re gifting me? I could have a thousand better pens than this with the money I am earning as a secret agent.”

He got up quickly, went up to the counter, forked out some notes and without waiting for any change, walked away.

I watched him leave, with wet eyes. Was this the same guy who had always wanted to be with me, who had always wanted to share his things with me, was always ready to part with any good old thing for another, had always shared his feelings, I wondered. I wondered was he really that friend who had grown up with me and now had thrown my present back at me.

“Money does wonders.”, I said, and walked up to the counter only to learn that the former gentleman had already paid the check. I went back to my home, and a had a good night’s sleep.

I have not seen him since, and I hope to never see him again because that would remind me of what a friend could do to another. But even if I wanted to see him, it is doubtful I would get the chance to do so because only today morning I saw his name in the news, accused of being a spy for the neighbour country.

© 2000 Asiman Panda

Batman v Superman: Dawn of Justice – Travesty of Justice (to a Promising Premise)

Batman v Superman is a movie that has director Zack Snyder trying hard to marry two worlds – a world that is inhabited with DC Comics characters and another world, enamored with Marvel Comics characters, that has already been shown how an extended Cinematic Universe should look, and indeed looks, like. So you have Warner Bros. and Zack Snyder teaming up to cobble together a DC Comics alternative universe and to pit one superhero against another just in time, before Paramount and Marvel steal their thunder with their own interpretation of a similar scenario – only they are trying a little too hard.

That is the problem plaguing the movie for the better part of its run-time – trying hard to quickly establish things or rather, to make you believe things, without having much to show for it. For example, you must believe Batman is fed up with Superman’s God-like reverence from the masses, because Zack Snyder shows a single scene of Batman getting miffed at the newspaper headlines. You must tell yourself the world is on the brink of yet another catastrophe because the characters are saying something on those lines, looking into, perhaps, a crystal ball that is never shown. You must convince yourself that Batman and Superman are in a conflict of war-like proportions – and, since they never showed a real buildup – simply because the movie title says so. You are asked to take huge leaps of faith and logic, because Zack Snyder wants you to never be sure about what really is happening up until the big reveal, which, after it arrives, is deliberately drowned in noise and chaos so Snyder can stretch the aura of mystification half an hour longer. On the way, you never know the reason behind why Superman would suddenly turn up in the middle of Batman’s daily business and let him know he let him off out of mercy. You never know how Lois Lane knows that the spear that she threw away held the key to annihilating the newest monster in Metropolis.

Add to that the mix and match of the different universes that Zack Snyder is attempting. Despite having made it amply clear ahead of the movie’s release that his universe was different to that of Nolan’s, he still imbues his universe with a forced darkness that evokes the ambience of Nolan’s, while also borrowing for his Batman, traits, most notably, the dead-pan, from the pre-Christian Bale incarnations. The problem with this forced grimness is that it draws itself to unnecessary comparisons with Nolan’s creation – and fails miserably at it because the bar has been set so high by both Nolan and Bale – while simultaneously flying in the face of the slightly upbeat mood of the same universe portrayed in Man of Steel. And if the intention was to show a Superman in deep conflict, a sign of the times he is living in, then it is back to the initial problem – you must believe without being made to spontaneously believe, that Superman is in turmoil.

The movie is hobbled by poor direction and banal dialogue, if not by tunnel vision and hammy or wooden acting. Visual effects are run-of-the-mill, and Ben Affleck is just OK as Batman – he is no Bale after all. Jesse Eisenberg goes over-the-top and strangely strikes you as a white version of Shah Rukh Khan in virtually every movie of his (ever). Amy Adams, Henry Cavill, and Gal Gadot, in that order, try to hold on to dear life in a floundering ship. Jeremy Irons’ cocky, wise-crack Englishman Alfred is an apology of a replacement for Michael Caine’s fatherly, sympathetic portrayal. But not all is hopeless though, since the best moments are reserved for the last half-hour, that is, after Wonder Woman appears and joins forces with the other two, when the movie begins to become bearable. From there on, it is uphill for the movie – reaching its zenith in the very last shot – but by then you wonder if it was an uptick two hours too late.

6/10

The Revenant: Gory, Tragic, Ultimately Daunting

If you have been waiting for months to watch ‘The Revenant’, be forewarned it is not one for the faint-hearted. That this could be the case is alluded to five minutes into the runtime, when you have barely settled in for, perhaps, a popcorn-munching, cola-guzzling, sweet-faced Leo-watching binge that you are yanked out of your cosiness by a violent attack scene, thereby preparing you for a possible further assault of bloodiness, and thrusting you into a sustained state of alertness and stoicism. You will need a lot of those – either those or a deep slumber – for there is no let-up in the gore and violence following that. Whether it be the bear-mauling or arrows piercing foreheads & torsos and jutting out from the other side or axes slashing off appendages or mauled & mangled flesh or even Nature doing its thing, director Iñárritu’s goriness is remarkably realistic in detail and in-the-face – as opposed to the sanguine tongue-in-cheekiness of, say, Tarantino.

What emerges, slowly, is the surprising evolution of Tom Hardy’s acting – when you had had dismissed him as simply an improved version of Vin Diesel. With the evil on his face and in his voice – and as opposed to the over-the-top portrayal of evil in TDKR – so palpable you would actually hate him. Then there is Lubezki’s camera work- conjuring up angles and heights, sneaking into corners you would not expect, contributing to so much of the in-the-face visceral nature of the visual that sometimes the only respite you could get is by looking away. But then you would also miss his wizardry.

That brings us to Leonardo’s performance. It is hard to calibrate Leonardo’s acquittal – seasoned that he is – against the backdrop of the overwhelming circumstances depicted in the movie. Leonardo has pulled off quite a list of challenging roles in the past, where it was hard to discern Leo the man from the character he played – but here, where he speaks all of ten lines distributed equally over the first 10 minutes and the last 20 minutes, you are left to wonder whether he would be far ahead of the pack were his peers also to portray the daunting hardships that Hugh Glass must go through. In other words, it is a cakewalk for him, or maybe, the effortlessness is to blame. Which is to say, if he wins an Oscar this time, it was because he has been long owed one.

Meanwhile, director Iñárritu, in going for the jugular, does pull off the gore and treachery of circumstances in glorious detail but then he cannot stop any intended themes of relationships – between man & nature, civilisation & savagery, man & family – from submerging in that very sea of blood and breathtaking scenery. One theme in particular – visions and whispers of his dead wife – falls short in eliciting any sense of connect. Then you could fault him for the runtime, and since he is also partly credited with the screenplay, for also the story, because it feels incredulous that a character should be faced with insurmountable clichéd tragedy after tragedy, and also come up trumps in the end. In short, Iñárritu did better on ‘Birdman’.

Ultimately, however, ‘The Revenant’ descends into revenge saga territory, and by the time Glass has finally laid hands on Fitz (Hardy)- and you knew he would half an hour into the movie- you are left wishing you were over with it already, for only after you have freed yourself from the overpowering grip of it all, can you sit down to objectively separate the performances of the crew from the grandeur of the gore.

When Tears Shall Have Justice Borne

Cry you not dear, shed not in vain tears,
And drop you not your shoulders often,
For then, your own zillion faceless fears,
You merely quickly let embolden!
Let instead your eyes encapture
The muted rumblings in million heads,
Souls of which shall ne’er feel the rapture
Of taste of bread, or a wink on beds…

Beds, the likes of which you daily grace,
Are but wishful thoughts best swept aside
For ’nother birth on Earth’s ruthless face,
So why not stifle the dream inside?
Yeah, why not inside, the emptiness?
Left behind by man’s fervent rampage
Turning greenly grass to concrete mess-
Halt, witness mankind’s ‘coming-of-age’!

And what woe ‘coming-of-age’ entails
For the trodden down, is in your eyes,
So if you must cry, then pick their trails
And shed your tears for their muted cries!
Your fears shall then break asunder,
And each piece for each man shall adorn
A shield resisting meek surrender,
And then your tears shall have justice borne.

©Asiman Panda 2009

Review of MLTR’s new studio album ‘Scandinavia’

Release Date: 11th June 2012

‘Scandinavia’ is the freshest sound to have come from the MLTR stable of music. I remember Mikkel insisting that MLTR were trying to re-find the 90’s MLTR sound. Well, let me tell you, they didn’t quite do that, but they did something different – so different it has come as an immensely positive surprise! The guitar work is elegant and occasionally, pleasantly boisterous, which shows Mikkel has been sweating it out a lot. In MLTR’s personal history, ‘Scandinavia’ will become a by-word for experimentation and freshness. The sound is introspective here, retrospective there, ambivalent now, vivacious then – a very beautiful mish mash of varied styles and colours.

However, if you are looking for Jascha’s trademark accent, inflections and huskiness from the previous albums, you will not find it here. Rather, Jascha has let himself free here and given it a personal touch, employing the accent you would hear from him during normal conversation.

I would pick these tracks as the best -‘Any Way You Want It’ for the classic MLTR rock-ballad touch, ‘Hanging On’ for the soothing feel, ‘Shanghaid In Tokyo’ for a completely new and peppy MLTR exploration of rock music & ‘Renovate My Life’ for some awesome guitar-work. In a somewhat typical MLTR practice of recent times, ‘Space Commander’ and ‘Crazy World’ represent the dance/disco genre on this album, albeit with some interesting lyrics and catchy embellishments. ‘Please Forgive Me’, ‘Heaven Is My Alibi’ and ‘Icebreaker’ are musings on relationships, with deep lyrics and finally, ‘Scandinavia’ is MLTR’s tribute to their homeland, told in the form of a kind of a coming-back-to-home narrative.

Having said that, listeners with a discerning aural ability and varied choice of bands, would be led to see strains of Coldplay’s ‘Myloto Xyloto’ and RHCP’s ‘I’m With You’ albums in this. All in all, a good, memorable package. A new personal benchmark for MLTR!

P.S. : MLTR’s quest for re-invention also extends to the booklet cover, unique for an MLTR album.

©Asiman Panda June 2012

Mandawa: Impressions from a First-time Visit

Eager to get away from the humdrum of our job, my colleague Amit and I, decided to make a weekend getaway to Jaipur.

This being my third visit to Jaipur and Amit’s first, I drew from my previous experience, and we booked a day-long package with an auto-rickshaw driver, who took us to Hawa Mahal, Jantar Mantar, Amer fort, Jaigarh fort, and finally, to Nahargarh fort. Later, in the evening, we got a taste of Rajasthani culture and cuisine at Chokhi Dhani.

Now, where do we go to the next day? I really wanted to go to Sambhar Lake, but not able to find any information on how to reach there, we considered other places, which is when I remembered Mandawa, from two movies released a couple of years ago, namely, P.K. and Bajarangi Bhaijaan. It turned out Mandawa could be reached by public transport, complemented by a bit of local transport.

So, the next day at 8 AM, we set off by public road transport to Mukundgarh. As we passed Sikar, and then, Nawalgarh, I was fascinated by the set-ups of the towns – lying as disjointed clusters in the midst of the semi-arid landscape, with not much construction found along the road connecting the towns. The road cutting through each town was flanked on both sides by houses with their facades aligned, albeit in a jagged manner, with other houses on their respective side of the road. The houses, mostly painted yellow or white, wore an old world charm, transporting you to at least a hundred or more years back.

Getting down at Mukundgarh, we got around to looking for conveyance to Mandawa, when a strange-looking vehicle drew up alongside us. It was an auto-rickshaw which was decked up with fancy colourful decorations, with even more decorations on the inside, and covered with a canopy that formed a closed compartment! We were so intrigued that we hopped into the fanciful auto-rickshaw without even haggling.

As we advanced on the road to Mandawa, we saw the landscape gradually becoming more and more arid, and as we got nearer to Mandawa, we could see on both sides endless expanses of undulating sandy flats with a few sprinklings of low trees and shrub, even as villages each comprising just a handful of huts greeted us from time to time. Soon, we saw a bigger cluster of houses, and were welcomed by an arched gate on a wall that seemingly enclosed a town inside – Mandawa was here.

As we entered the gate, we were ushered in by two arrays of verandahs of the buildings abutting either side of the narrow road. Some buildings hosted shops, some others were residences, and some were merely the entrance to a larger building standing behind the front row.

Before we could get a hang of the place, we entered a bylane that apparently led to the Mandawa castle, but failing to locate the gate, we kept walking, past many havelis, until we reached an open area somewhere adjacent to the castle. We saw a shanty serving Maggi instant noodles and tea, and decided to first fill our tummies, while scratching our heads as to how really to explore the place, in the absence of a guide or any prior knowledge.

This is when appeared a boy – someone we would later refer to as Chhutku – barely 8 years of age, with disheveled hair, dressed in crumpled, undersized clothes, who sensing we were the touristy types, offered to show us around, for a price, and kept insisting on it until we had finished our meal. Partly to humour him, and partly impressed with his enterprise at such an early age, we relented.

So, courtesy of Chhutku, we saw a handful of havelis, with their painted facades, part covering the balconies jutting out and peering over the street, and part forming the front wall proudly strutting their evocatively painted visages, all but weathered by time. One particular haveli, Jhunjhunwala Haveli, aptly nicknamed the Golden Haveli, houses a room with intricately painted golden-coloured decorations, along with artifacts from a time gone by – giving us a glimpse of the lives and times of the merchants that built and lived in the lavish residences.

After the tour of the havelis, Chhutku bid us adieu at the Mandawa Castle, where we learnt the castle had long since been operating as a hotel, but was also open to tourists in lieu of a hefty fee. Nevertheless, we took the opportunity to see around the castle, get views of the town and the countryside from the rooftop, and take pictures around the sprawling swimming pool.

At long last, darkness fell, and it was time to confront the dilemma of whether to stay the night or return to Delhi – it was resolved when we learnt that there was a 10 PM public road transport bus running directly to Delhi. Following dinner at a Tripadvisor-recognized restaurant, we boarded the bus, still not having got a bearing of where exactly we were located with respect to Delhi.

By 5 o’clock in the morning though, when I opened my eyes as we entered Delhi, I was still hungover from the overwhelming and intriguing air of the quaint town that stood astride the trading routes of the past. Although located amidst the barrenness of the desert, the unique vantage point of the town in those times ensured that its mien and ambience remained anything but barren.